Fiction draws from real life
The small town of Nopiming in In the Context of Love is loosely modeled after my hometown, Independence, Ohio. Characters Angelica and Joe’s first date are to the Maple Theater, based on my hometown theater, The Willow. Their first kiss is in the parking lot after their date.
Independence was proud of The Willow Theater. It was built in 1950 in Art Deco style with one screen and a stage with big red velvet curtains, and seating for 950 patrons on the main floor. As you can see in the ad below, it boasted “scientifically refrigerated air” and a “Cyclo Ramic” screen.
You bought your ticket from someone who sat in a booth behind a glass window outside the main doors. Years later, the ticket booth was boarded up and patrons paid for their tickets inside.
Parents could take crying babies or talkative children upstairs to a special balcony area where they could watch and hear the movie and not disturb others. The theater had a built-in pay phone room with wood and glass doors so you could see the film while talking on the phone. It was swanky.
In the seventies, the crying-room/balcony was closed off. My boyfriend worked as an usher, and, apparently, this granted him certain privileges, or at least it afforded him the boldness to go where the public would not dare. One night, he and I slipped past the “No Admittance” sign draped across the stairs and climbed up in the dark to the balcony. M*A*S*H, with Elliot Gould and Donald Sutherland, was playing. The balcony was dusty and the velvet seats were shabby, but it was the coolest spot ever to make out. We called this necking. Whatever you call it, I never saw the entire film until years later.
I’ve scoured the internet for information on the history of the Willow Theater or more photographs, but the only photo I could find was taken by a hardware store that purchased the building after it was gutted by a fire in 1976. It was a sad day because I lost many fond memories.
Linda K. Sienkiewicz is the author of In the Context of Love, award winning women’s fiction about one woman’s need to tell her story without shame.
2017 Sarton Women’s Fiction Finalist
2016 Eric Hoffer Book Award Finalist
2016 Readers’ Favorite Finalist
2016 USA Book News Best Book Finalist
Great Midwest Book Fest Honorable Mention.
“…at once a love story, a cautionary tale, and an inspirational journey.” ~ Bonnie Jo Campbell, author of National Book Award Finalist, American Salvage, and critically acclaimed Once Upon a River,and Mothers, Tell Your Daughters