Linda K Sienkiewicz

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You are here: Home / The Writing Life / Where to Start Your Novel

Where to Start Your Novel

January 11, 2016 By Linda K Sienkiewicz

beginnings
Writing the opening to a short story or novel often stumps writers.

The beginning as a place mark:

We sit in front of the keyboard, poised, with an idea for a book spinning in our head, and find ourselves afraid to start. After all, we are aware we have one paragraph, or three at best, to capture the attention of the reader. My friend and mentor, Elizabeth Searle, gave me a great tip to get past this initial fear: Think of your current opening as nothing more than a place mark. This keeps you from overworking the prose or overthinking when you’re itching to get into the thick of things. Just dive right into the story. Later, you can return to the beginning and get it right.

The emotional promise of a beginning:

Nancy Kress, in Beginnings, Middles & Ends, says that every story promises something to the reader, emotionally and intellectually. The emotional promise is “read this and be entertained, thrilled, titillated and completely absorbed.” The intellectual promise varies from “read this and you’ll see the world in a new way,” to “read this and what you believed about the world will be validated.”

Writers may not know when they start their story what the promises are, but they should have a firm grasp on things by the time they’re knee deep in their story. Often the promises may change by the time “The End” is written. That’s why it’s helpful to initially think of your beginning as just a place mark.

I’ve changed the beginning of my novel countless ways, not only from tweaking an opening line, but also from different temporal zones (i.e. when the main character is a seventeen year-old, to when she is in her early twenties, to when she’s thirty)!

Revisit your beginning later

It’s worth spending considerable time polishing the beginning, but not right away. It’s far easier to recraft the beginning when you know your characters well enough to understand their desires and fears, and you know what the main conflict in the story is. You can then write an opening scene that defines character and withholds enough information to capture the reader’s interest, as well as give hints of what good stuff is yet to come.


Thank you for visiting.
Linda K. Sienkiewicz is a wrangler of words and big messy feelings in fiction and poetry.
In the Context of Love | Gordy and the Ghost Crab | Sleepwalker
Love and Other Incurable Ailments, coming 10/27/2026 from Regal House Publishing
Connect with Linda on social media: LinkTree

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Filed Under: In the Context of Love, The Writing Life Tagged With: Beginnings, Fiction, novel, writing, writing tips

Comments

  1. Diana Stevan says

    November 28, 2016 at 8:01 pm

    Thanks for the tip. Linda.

    • Linda K Sienkiewicz says

      November 29, 2016 at 7:15 pm

      You’re most welcome, Diana. Happy writing!

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